That’s never been an option for Emmerich, at least right away. Meanwhile, the Marvel Cinematic Universe or Star Wars titles can always hop on over to a brand-new planet should storytelling get stale in their respective sagas. However, it must also be very restrictive for a blockbuster director to never even have the opportunity to go into the cosmos, a domain that even the Fast and Furiousgang ventured into for F9. However, it’s about time for this filmmaker to get a chance to try out such a project. Who knows if the resulting blockbuster would be any good. Both Moonfall and Resurgence end on sequel teases setting up adventures set in the vast cosmos, a project Emmerich has some passion for.

This otherworldly entity wants the humans to join a greater fight against the aliens on their home turf. Brackish Okun ( Bret Spiner), alongside a glowing helpful alien orb, races over to the film’s protagonist to reveal something important. Here, after the day is saved and the big alien queen is defeated, Dr. Though this may sound like a distinctively bonkers enough ending to be unique, it evokes immediate memories of Emmerich’s last big-budget feature, Independence Day: Resurgence. that almost crushed Earth in the preceding movie. This will apparently entail fighting off further evil cosmic forces like the rogue A.I. Greeted by the moon’s technology masquerading as his mom, Houseman is then told he has a lot of work to do.

Houseman ( John Bradley) is suddenly resurrected within the core of the moon. Seemingly deceased conspiracy theorist K.C. People who’ve dutifully followed each of director Roland Emmerich’s blockbuster features may get stricken with a sense of déjà vu once the ending of Moonfall arrives.

Space opera films